Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Radio UserLand is a software package from UserLand Software, first released in 2000, which includes not only a client-side blogging tool but also an RSS aggregator, outliner and scripting language. Radio UserLand is an offspring of UserLand''s Manila. It uses a desktop client to store the full content of a user''s weblog on the user''s computer, and provides a mechanism for uploading it to a shared server. Server space at UserLand''s radio.weblogs.com site was included in the annual registration fee from the start, and continued after UserLand''s founder sold most of weblogs.com to VeriSign in 2005. Radio users also have the option of uploading their weblog content to a server at another Web hosting service.
High Quality Content by WIKIPEDIA articles! Liferea is an abbreviation for Linux Feed Reader, a news aggregator for online news feeds. It supports the major feed formats including RSS/RDF and Atom and can import and export subscription lists in OPML format. Liferea is intended to be a fast, easy to use, and easy to install news aggregator for GTK+ that can be used with the GNOME desktop. Liferea also supports Podcasting.
Web feed syndication is analogous to electronic newsletters, both are aimed at delivering feeds to subscribers, the difference is that while newsletter subscription requires e-mail and exposed users to spam and several security challenges, feed syndication ensures that subscribers get only what they requested for. This research investigate the state of the art of web feed aggregation technology and the development of a locally hosted or intranet based feed aggregator as a tool for getting news update, research, information sharing, rapid alert, product promotion and advertising using the core features of WordPress, the software was further enhanced with plugins and widgets for user management, dynamic content publishing, database and object caching, social web syndication, mobile device detection, back-up and maintenance. The results highlight the current developments in software re-use and describes, how open source content management systems can be used for both online and offline publishing, a means whereby feed aggregator users can control and share feed data, as well as how web developers can focus on extending built-in software libraries rather than re-inventing the wheel.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Aggregator features are frequently built into portal sites, Web browsers, and email programs. The aggregator provides a consolidated view of the content in a single browser display or desktop application. Such applications are also referred to as RSS readers, feed readers, feed aggregators, news readers, or search aggregators. Aggregators with podcasting capabilities can automatically download media files, such as MP3 recordings. In some cases, these can be automatically loaded onto portable media players when they are connected to the end-user''s computer. Recently, so-called RSS-narrators have appeared, which not only aggregate text-only news feeds, but also convert them into audio recordings for offline listening. The syndicated content an aggregator will retrieve and interpret is usually supplied in the form of RSS or other XML-formatted data, such as RDFXML or Atom. For example, if there are many sites you visit frequently, without RSS the only way you can find out if anything on the sites has been updated is to go to each site individually. This can take a long time.
Facharbeit (Schule) aus dem Jahr 2016 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,0, , Sprache: Deutsch, Abstract: Im Musikbusiness gibt es seit Jahren Probleme mit sinkenden Einnahmen und Urheberrechtsverletzungen. Illegale Downloads sind die Ursache dieser negativen Veränderungen, die dazu führen, dass Plattenfirmen fast ausschliesslich auf bewährte Musiker setzen. Dadurch wird vermehrt auf die Verpflichtung von Newcomer-Bands und jungen Singer-Songwritern verzichtet. Betrachtet man die Auswirkungen des Internets auf die Musikbranche, so scheint das Web auf den ersten Blick Hauptverursacher aller oben genannten Probleme zu sein. Für den Musiker ohne Plattenvertrag, der sich selbst mit möglichst wenig Kostenaufwand vermarkten möchte, stellt das Internet jedoch nie zuvor dagewesene Möglichkeiten bereit. Soziale Netzwerke wie Youtube, Twitter, Facebook oder Google+ bieten viele Wege, um seine Fans am Laufenden zu halten sowie seine Musik einem breiten Publikum zugänglich zu machen. Eine Verbreitung der eigenen Musik ist durch das enorme Viralitätspotenzial solcher Onlineportale leichter geworden denn je. Viralität beschreibt dabei das Phänomen, dass sich im Internet Informationen mitunter wie ein Virus - ohne weiteres Zutun - ausbreiten können. Um jedoch seine Musik vermarkten zu können, ist es notwendig, professionelle Auf-nahmen der eigenen Werke zu produzieren. Es gibt die Möglichkeit, dies in einem Tonstudio mit Profi-Produzenten und Tontechnikern zu machen, was jedoch nicht für jeden jungen Musiker leistbar ist. Dank des rasanten technischen Fortschritts des Homerecording-Equipments ist es heutzutage möglich, billig, aber trotzdem in einer professionellen Qualität, im Proberaum oder beispielsweise in einer Garage aufzunehmen. Die Arbeit des Produzenten müssen die Musiker zwar auch selbst übernehmen, was aber sogar den Vorteil bringt, dass kein anderer das Werk verändern kann und man so von der ersten Idee bis zur endgültigen Umsetzung die Herrschaft über sein geistiges Eigentum behält. Möchte man mit seiner Musik nun kommerziell erfolgreich werden, reichen soziale Netzwerke nicht mehr aus, da die Fans die Lieder dort kostenlos streamen, also direkt im Internet anhören können. Man benötigt einen Musik-Verlag beziehungsweise einen Online-Aggregator. Aggregatoren verteilen die Musik im Web an Online-Shops, die die Musik dort zum Download anbieten. Ein grosser Vorteil ist, dass über diesen Verkaufsweg beinahe keine finanziellen Vorschüsse benötigt werden, da Kosten für das Pressen von CDs, Druck des Booklets sowie für Verpackung wegfallen.
The influence of digital media on the cultural heritage sector has been pervasive and profound. Today museums are reliant on new technology to manage their collections. They collect digital as well as material things. New media is embedded within their exhibition spaces. And their activity online is as important as their physical presence on site. However, 'digital heritage' (as an area of practice and as a subject of study) does not exist in one single place. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing.It is this diaspora of material and practice that this Reader is intended to address. With over forty chapters (by some fifty authors and co-authors), from around the world, spanning over twenty years of museum practice and research, this volume acts as an aggregator drawing selectively from a notoriously distributed network of content. Divided into seven parts (on information, space, access, interpretation, objects, production and futures), the book presents a series of cross-sections through the body of digital heritage literature, each revealing how a different aspect of curatorship and museum provision has been informed, shaped or challenged by computing.Museums in a Digital Age is a provocative and inspiring guide for any student or practitioner of digital heritage.
You probably have a web site, blog, and a LinkedIn profile. If you are on the leading edge, you are on Facebook, and have posted videos on YouTube. But is all of this giving you exposure? Are you being called by media? And how are you doing in your search engine rankings? Social Media is either a complete waste of time, or the most important plank of a PR strategy. It all depends on your approach. In this book, learn key skills, including... . How to prevent others from hijacking your identity on aggregator web sites. . How an Anchor and Outpost strategy can significantly increase your exposure - and your search engine ranking. . How to develop your own YouTube Channel. . How to have your blog entries automatically appear within Amazon.com. . How to update your 'status' on all of the social networking sites (and Twitter) with one click. . How pay-per-click advertising fits into the mix. . Which PR sites you should join - and which you should not. . How to use Social Bookmarking to extend your time investment even further. . How to monitor your reputation. . How to significantly cut down your maintenance time by using the hidden integration power of the social networks. . And much, much more! You have spent an entire career developing your expertise... ...why not let people know about it? Important note: This is a book on strategy, and includes specific, step-by-step instructions to implement that strategy. It is written to provide value for all who are interested in developing online reputation: Technology neophytes (step-by-step illustrations), technology gurus (with advanced tech tricks), as well as experienced PR professionals (strategy and traditional PR integration).
In The Zero Marginal Cost Society, New York Times bestselling author Jeremy Rifkin describes how the emerging Internet of Things is speeding us to an era of nearly free goods and services, precipitating the meteoric rise of a global Collaborative Commons and the eclipse of capitalism. Rifkin uncovers a paradox at the heart of capitalism that has propelled it to greatness but is now taking it to its death&#8212;the inherent entrepreneurial dynamism of competitive markets that drives productivity up and marginal costs down, enabling businesses to reduce the price of their goods and services in order to win over consumers and market share. (Marginal cost is the cost of producing additional units of a good or service, if fixed costs are not counted.) While economists have always welcomed a reduction in marginal cost, they never anticipated the possibility of a technological revolution that might bring marginal costs to near zero, making goods and services priceless, nearly free, and abundant, and no longer subject to market forces. Now, a formidable new technology infrastructure&#8212;the Internet of things (IoT)&#8212;is emerging with the potential of pushing large segments of economic life to near zero marginal cost in the years ahead. Rifkin describes how the Communication Internet is converging with a nascent Energy Internet and Logistics Internet to create a new technology platform that connects everything and everyone. Billions of sensors are being attached to natural resources, production lines, the electricity grid, logistics networks, recycling flows, and implanted in homes, offices, stores, vehicles, and even human beings, feeding Big Data into an IoT global neural network. Prosumers can connect to the network and use Big Data, analytics, and algorithms to accelerate efficiency, dramatically increase productivity, and lower the marginal cost of producing and sharing a wide range of products and services to near zero, just like they now do with information goods. The plummeting of marginal costs is spawning a hybrid economy&#8212;part capitalist market and part Collaborative Commons&#8212;with far reaching implications for society, according to Rifkin. Hundreds of millions of people are already transferring parts of their economic lives to the global Collaborative Commons. Prosumers are plugging into the fledgling IoT and making and sharing their own information, entertainment, green energy, and 3D-printed products at near zero marginal cost. They are also sharing cars, homes, clothes and other items via social media sites, rentals, redistribution clubs, and cooperatives at low or near zero marginal cost. Students are enrolling in free massive open online courses (MOOCs) that operate at near zero marginal cost. Social entrepreneurs are even bypassing the banking establishment and using crowdfunding to finance startup businesses as well as creating alternative currencies in the fledgling sharing economy. In this new world, social capital is as important as financial capital, access trumps ownership, sustainability supersedes consumerism, cooperation ousts competition, and &#8220;exchange value&#8221; in the capitalist marketplace is increasingly replaced by &#8220;sharable value&#8221; on the Collaborative Commons. Rifkin concludes that capitalism will remain with us, albeit in an increasingly streamlined role, primarily as an aggregator of network services and solutions, allowing it to flourish as a powerful niche player in the coming era. We are, however, says Rifkin, entering a world beyond markets where we are learning how to live together in an increasingly interdependent global Collaborative Commons.